Myra Mimlitsch-Gray, Boots, Copper
Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts
Monday, January 13, 2014
Friday, June 28, 2013
Form Emphasis for Metalsmiths
Form Emphasis for Metalsmiths, Heikki Seppä, The Kent State University Press
Heikki Seppä made a major contribution to the jewelry and metalsmithing fields when he wrote the book Form Emphasis for Metalsmiths. Seppä discusses the aspects of forming beginning with diagrams and specific vocabulary then moves into methods used in construction. Seppä touches upon many different methods including soldering, raising and seaming. But the real meat and potatoes of Form Emphasis for Metalsmiths is in Seppä's analysis of shell forming including anticlastic sinking.
The Penland School of Crafts Book of Jewelry Making, John Coyne ed., Evon Streetman photography
Heikki shell forming whilst sporting plaid trousers.
Tuesday, May 28, 2013
A Scot In Sweden
Crowd 2013-13 by David Taylor
Labels:
Art,
Artists,
David Taylor,
designer,
metalsmith,
sculpture
Thursday, April 25, 2013
New Work
Labels:
Art,
Artists,
designer,
Jewelry,
Kevin Hughes,
metalsmith,
sculpture
Monday, April 15, 2013
Tuesday, March 19, 2013
The Legacy of Bas Jan Ader
Bas Jan Ader at his MFA final show, 1967
Bas Jan Ader Please don't leave me, Museum Boijmans Van Beuningen, Rotterdam
I first became aware of Bas Jan Ader through his work "I'm too sad to tell you." My interest only grew after reading of his final project "In search of the miraculous," Bas Jan Ader attempted to single-handedly sail across the Atlantic (from the U.S. to Europe). What makes that feat even more audacious, Ban Jan Ader's boat was only 12 feet long and without motor. Bas Jan Ader never made it to Europe, his boat was recovered but the artist was missing at sea.
Bas Jan Ader left behind a strong body of work. In addition to "I'm too sad to tell you" he made a several videos of himself falling. Falling off the roof of his house in Los Angeles, falling out of a tree into a small canal, falling on a saw horse, all filmed in 16mm black and white the works have a eerie disturbing quality.
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